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Veteran Pakistani Actor Ayesha Khan Found Dead at 77, Body Discovered a Week Later

Renowned Pakistani actress  Ayesha Khan  was found dead in her Karachi home on  June 19 , though authorities believe she had passed away around  June 13 , nearly a week prior. Her body was discovered in a  decomposed state , according to Pakistani media outlet  The Express Tribune . Ayesha Khan had a celebrated television career spanning nearly  four decades , appearing in numerous  dramas, telefilms, and films . Her final TV appearance was in  "Soteli Maamta" (2020) . Police responded after neighbors reported a strong foul odor from her house. Her remains were taken to the  Jinnah Post Graduate Medical Centre  for a postmortem, but the procedure was paused until her  son’s arrival from abroad . Currently, her body is being held at the  Edhi Foundation mortuary . Preliminary findings suggest she may have  slipped in the bathroom  and died of  natural causes , police told  Dawn News .

Shekhar Kapur Claims Bandit Queen Edited Without Permission: ‘Are We Lesser Beings Than Western Directors?’


Filmmaker Shekhar Kapur has expressed his frustration over the streaming version of his critically acclaimed 1994 film Bandit Queen, claiming that it has been edited beyond recognition without his permission. The movie, which tells the story of Phoolan Devi, a feared Chambal dacoit turned Member of Parliament, was widely praised for its raw and intense portrayal of her life.

Kapur, known for his other iconic films like MasoomMr. India, and the Elizabeth series, took to social media to voice his concerns, asking whether streaming platforms would ever dare to make similar alterations to the films of renowned Western directors such as Christopher Nolan. He wrote, “The Bandit Queen on #AmazonPrime is unrecognisable from my film. Someone has cut it beyond recognition. And yet it carries my name as Director. And no one asked me! Are we lesser beings than Western Directors? Would they have the guts to cut a Chris Nolan film without his permission?”

Kapur's remarks highlight a growing issue in the film industry regarding creative control and the extent to which streaming platforms and distributors can alter a director’s work. In his post, he questions whether the same respect is afforded to directors outside the West, particularly those from India, when it comes to preserving the integrity of their films.

This controversy has sparked debates about the balance between artistic vision and commercial interests in the age of streaming platforms, and how the industry treats films from different parts of the world.

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